FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION
Claudia Rankineās Citizen changed the conversationāJust Us urges all of us into it
As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history.
Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankineās questions disrupt the false comfort of our cultureās liminal and private spacesāthe airport, the theater, the dinner party, the voting boothāwhere neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect.
This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friendās explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankineās own text, complicating notions of authority and who gets the last word.
Sometimes wry, often vulnerable, and always prescient, Just Us is Rankineās most intimate work, less interested in being right than in being true, being together.
FINALIST FOR THE 2021 ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN NONFICTION
Claudia Rankineās Citizen changed the conversationāJust Us urges all of us into it
As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history.
Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankineās questions disrupt the false comfort of our cultureās liminal and private spacesāthe airport, the theater, the dinner party, the voting boothāwhere neutrality and politeness live on the surface of differing commitments, beliefs, and prejudices as our public and private lives intersect.
This brilliant arrangement of essays, poems, and images includes the voices and rebuttals of others: white men in first class responding to, and with, their white male privilege; a friendās explanation of her infuriating behavior at a play; and women confronting the political currency of dying their hair blond, all running alongside fact-checked notes and commentary that complements Rankineās own text, complicating notions of authority and who gets the last word.
Sometimes wry, often vulnerable, and always prescient, Just Us is Rankineās most intimate work, less interested in being right than in being true, being together.