Ring Lardner was one of the most prolific humorists of the early 20th century. While he was most famous for the frequent appearances of his short fiction in numerous popular magazines of the era, he was also a prolific writer of poetry. His daily column for the Chicago Tribune entitled âIn the Wake of the Newsâ was generally a sports news column, but oftentimes served as a platform to publish his poetry. Many of his more sentimental poems from this columnâthe ones written about his childrenâwould later be compiled in Bib Ballads. Lardnerâs second poetry compilation, Regular Fellows I Have Met, is a series of nearly 200 poems about Lardnerâs friends and colleaguesâsome of whom would go on to become incredibly famous, while others remained regular, everyday fellows.
Lardnerâs poetry, like his prose, has a recognizable voice. His sports journalism roots are made apparent by his frequent and satirical overuse of abbreviations. The verse is always cheerful, one might even say whimsical, in its rhythm and meter, despite the subjects often including gallows humor. Though his poems were all written for and published in different media like newspapers, magazines, and books, Lardner brings a consistent voice to his entire poetic corpus.
Ring Lardner was one of the most prolific humorists of the early 20th century. While he was most famous for the frequent appearances of his short fiction in numerous popular magazines of the era, he was also a prolific writer of poetry. His daily column for the Chicago Tribune entitled âIn the Wake of the Newsâ was generally a sports news column, but oftentimes served as a platform to publish his poetry. Many of his more sentimental poems from this columnâthe ones written about his childrenâwould later be compiled in Bib Ballads. Lardnerâs second poetry compilation, Regular Fellows I Have Met, is a series of nearly 200 poems about Lardnerâs friends and colleaguesâsome of whom would go on to become incredibly famous, while others remained regular, everyday fellows.
Lardnerâs poetry, like his prose, has a recognizable voice. His sports journalism roots are made apparent by his frequent and satirical overuse of abbreviations. The verse is always cheerful, one might even say whimsical, in its rhythm and meter, despite the subjects often including gallows humor. Though his poems were all written for and published in different media like newspapers, magazines, and books, Lardner brings a consistent voice to his entire poetic corpus.