Compulsive, shattering, if not fundamentally disruptive, Returning emerges as one of the most important and searingly honest family sagas of our time.
Nicholas Lemann, a veteran New Yorker correspondent, grew up in New Orleans, the son of German Jews in a world of gilded privilege. Yet in contrast to his parentsâ generation, which always sought to downplay their religious background, Lemann was intrigued by his roots, thinking he wanted to be like Jack Burden, the ever-curious reporter in Robert Penn Warrenâs All the Kingâs Men.
And like his fictional hero, who gets drawn into a web of Southern political intrigue, Lemann in Returning delves deeply into the family storyâfrom their arrival in the 1830s as peddlers from Germany, to their becoming plantation owners and department store owners after the Civil War, to their emergence as aspirants in the aristocratic world of New Orleans, where they could never quite belong.
Seemingly more Our Crowd than Yentl in its depiction of a German-Jewish family where young scions matriculated at Harvard and liveried staff served âcrustless duck sandwichesâ at cocktail parties, Returning, with its parade of colorful family charactersâfrom his grandfatherâs cousin, who participated in a campaign to prevent a Jewish state in the 1940s, to his father, a wealthy business lawyer in a Deep South seigneurial city, who took his kids to temple only on Thanksgiving, to his New Jerseyâraised mother, who âwent into a kind of cardiac arrest of the soulâ upon meeting the familyâdefies easy categorization. Indeed, as the Lemanns climbed the ranks of New Orleansâs high society, their struggles became part of a larger metaphorical story of the challenges faced by Jews, even wealthy ones, who are never able to fit in.
Keenly aware of these contradictions, Lemann began chafing both at the Southâs strict racial hierarchy and at his relativesâ eagerness to be accepted in a subtle but distinctly antisemitic environment. Returning then follows the narrator as he rejects this cossetted, assimilated society, embraces religion, and chooses, along with his wife, to raise his children in a Jewish world.
Searchingly asking what it is about antisemitism that allows it to flourish after two thousand years, Lemann uses his own family saga as a springboard to address some of the most urgent questions of our time. Through its nuanced combination of biography and philosophy wrapped into a family history, Returning ultimately becomes one of the most memorable statements about Jewish life in the twenty-first century.
Compulsive, shattering, if not fundamentally disruptive, Returning emerges as one of the most important and searingly honest family sagas of our time.
Nicholas Lemann, a veteran New Yorker correspondent, grew up in New Orleans, the son of German Jews in a world of gilded privilege. Yet in contrast to his parentsâ generation, which always sought to downplay their religious background, Lemann was intrigued by his roots, thinking he wanted to be like Jack Burden, the ever-curious reporter in Robert Penn Warrenâs All the Kingâs Men.
And like his fictional hero, who gets drawn into a web of Southern political intrigue, Lemann in Returning delves deeply into the family storyâfrom their arrival in the 1830s as peddlers from Germany, to their becoming plantation owners and department store owners after the Civil War, to their emergence as aspirants in the aristocratic world of New Orleans, where they could never quite belong.
Seemingly more Our Crowd than Yentl in its depiction of a German-Jewish family where young scions matriculated at Harvard and liveried staff served âcrustless duck sandwichesâ at cocktail parties, Returning, with its parade of colorful family charactersâfrom his grandfatherâs cousin, who participated in a campaign to prevent a Jewish state in the 1940s, to his father, a wealthy business lawyer in a Deep South seigneurial city, who took his kids to temple only on Thanksgiving, to his New Jerseyâraised mother, who âwent into a kind of cardiac arrest of the soulâ upon meeting the familyâdefies easy categorization. Indeed, as the Lemanns climbed the ranks of New Orleansâs high society, their struggles became part of a larger metaphorical story of the challenges faced by Jews, even wealthy ones, who are never able to fit in.
Keenly aware of these contradictions, Lemann began chafing both at the Southâs strict racial hierarchy and at his relativesâ eagerness to be accepted in a subtle but distinctly antisemitic environment. Returning then follows the narrator as he rejects this cossetted, assimilated society, embraces religion, and chooses, along with his wife, to raise his children in a Jewish world.
Searchingly asking what it is about antisemitism that allows it to flourish after two thousand years, Lemann uses his own family saga as a springboard to address some of the most urgent questions of our time. Through its nuanced combination of biography and philosophy wrapped into a family history, Returning ultimately becomes one of the most memorable statements about Jewish life in the twenty-first century.