A bewitching collage of fiction, memoir, and mythography from the author unique in her âability to evoke the hidden life, the life unseen, the life we donât even know we are living.â (Parul Sehgal, New York Times Magazine)
Mary Gaitskill is unique among American novelists in âher ability to evoke the hidden life, the life unseen, the life we donât even know we are living.â* In this searching biography of the writerâs imagination, Gaitskill excavates her own novels, revealing their origins and obsessions, the personal and societal pressures that formed them, and the life story hidden between their pages. Using the techniques of collage, The Devil's Treasure splices fiction together with commentary and personal history, and with the fairy tale that gives the book its title, about a little girl who ventures into Hell through a suburban cellar door.
The result is an answer to Gaitskillâs critics and, simultaneously, the best book we have about contemporary fiction, the forces ranged against it, and the forces that ping it into being.
âEven among other artists attracted to weakness as a theme, [Gaitskill] is rare in being able to look at it on its own terms. She doesnât treat it like a curiosity, like Diane Arbus, or a chink in the armor that might let in faith, like Flannery OâConnor. She isnât afraid of it, like Muriel Spark; nor does she insist its depictions rouse us to action, like Sontag. She looksâjust looksâand sees everything.â âParul Seghal, New York Times Magazine*
A bewitching collage of fiction, memoir, and mythography from the author unique in her âability to evoke the hidden life, the life unseen, the life we donât even know we are living.â (Parul Sehgal, New York Times Magazine)
Mary Gaitskill is unique among American novelists in âher ability to evoke the hidden life, the life unseen, the life we donât even know we are living.â* In this searching biography of the writerâs imagination, Gaitskill excavates her own novels, revealing their origins and obsessions, the personal and societal pressures that formed them, and the life story hidden between their pages. Using the techniques of collage, The Devil's Treasure splices fiction together with commentary and personal history, and with the fairy tale that gives the book its title, about a little girl who ventures into Hell through a suburban cellar door.
The result is an answer to Gaitskillâs critics and, simultaneously, the best book we have about contemporary fiction, the forces ranged against it, and the forces that ping it into being.
âEven among other artists attracted to weakness as a theme, [Gaitskill] is rare in being able to look at it on its own terms. She doesnât treat it like a curiosity, like Diane Arbus, or a chink in the armor that might let in faith, like Flannery OâConnor. She isnât afraid of it, like Muriel Spark; nor does she insist its depictions rouse us to action, like Sontag. She looksâjust looksâand sees everything.â âParul Seghal, New York Times Magazine*