Bringing together novelist Osamu Dazaiās best autobiographical shorts in a single, slim volume, Self-Portraits shows the legendary writer at his bestāand worst
āArt dies the moment it acquires authority.ā So said Japanās quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nationās obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his deathāand the death of others. Faced with pressure to conform, he declared his individuality to the worldāin all its self-involved, self-conscious, and self-hating glory. āArt,ā he wrote, āis āI.āā
In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazaiās life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of readers who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social lifeāfit in and do as you are toldāas well as the possibility, however desperate, of defiance.
Long out of print, these stories will be a revelation to the legions of new fans of No Longer Human, The Setting Sun, and The Flowers of Buffoonery.
Bringing together novelist Osamu Dazaiās best autobiographical shorts in a single, slim volume, Self-Portraits shows the legendary writer at his bestāand worst
āArt dies the moment it acquires authority.ā So said Japanās quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nationās obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his deathāand the death of others. Faced with pressure to conform, he declared his individuality to the worldāin all its self-involved, self-conscious, and self-hating glory. āArt,ā he wrote, āis āI.āā
In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazaiās life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of readers who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social lifeāfit in and do as you are toldāas well as the possibility, however desperate, of defiance.
Long out of print, these stories will be a revelation to the legions of new fans of No Longer Human, The Setting Sun, and The Flowers of Buffoonery.