âKingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.ââThe Washington Post
âKingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the authorâs consciousness.ââJanet Maslin, The New York Times
âSubtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . Itâs hard to overestimate Kingdom of Shadows.ââEugen Weber, Los Angeles Times
âA triumph: evocative, heartfelt, knowing and witty.ââRobert J. Hughes, The Wall Street Journal
âImagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.ââWalter Shapiro, Time
âKingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.ââThe Washington Post
âKingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the authorâs consciousness.ââJanet Maslin, The New York Times
âSubtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . Itâs hard to overestimate Kingdom of Shadows.ââEugen Weber, Los Angeles Times
âA triumph: evocative, heartfelt, knowing and witty.ââRobert J. Hughes, The Wall Street Journal
âImagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.ââWalter Shapiro, Time