In the fourth volume in the Why I Write series, the iconic Samuel Delany remembers fifty years of writing and shaping the world of speculative fiction
âDelanyâs prismatic output is among the most significant, immense and innovative in American letters.ââJordy Rosenberg, New York Times
"He dispenses wisdom about craftâincluding the demanding revision process his dyslexia requiresâbut most moving are the moments when he sheds light on connections he has made with other readers and writers. . . . Delanyâs fans are in for a treat."âPublishers Weekly, Starred Review
Language is the way humans deal with past, present, and future possibilities, as well as the subset called the probable. This is where Samuel Delany finds his justification for the writing life.
Since the 1960s, occurrences such as Sputnik, school desegregation, and the advent of AIDS have given Delany, as a gay man, as a black man, access to certain truths and facts he could write about, and the languageâsometimes fiction, sometimes nonfictionâin which to present them. âWe write,â Delany believes, âat the intersection of your experience and mine in a way, I hope, that allows recognition.&rdquo
In the fourth volume in the Why I Write series, the iconic Samuel Delany remembers fifty years of writing and shaping the world of speculative fiction
âDelanyâs prismatic output is among the most significant, immense and innovative in American letters.ââJordy Rosenberg, New York Times
"He dispenses wisdom about craftâincluding the demanding revision process his dyslexia requiresâbut most moving are the moments when he sheds light on connections he has made with other readers and writers. . . . Delanyâs fans are in for a treat."âPublishers Weekly, Starred Review
Language is the way humans deal with past, present, and future possibilities, as well as the subset called the probable. This is where Samuel Delany finds his justification for the writing life.
Since the 1960s, occurrences such as Sputnik, school desegregation, and the advent of AIDS have given Delany, as a gay man, as a black man, access to certain truths and facts he could write about, and the languageâsometimes fiction, sometimes nonfictionâin which to present them. âWe write,â Delany believes, âat the intersection of your experience and mine in a way, I hope, that allows recognition.&rdquo