Written on the twentieth anniversary of James Baldwinâs death, Letter to Jimmy is African writer Alain Mabanckouâs ode to his literary hero and an effort to place Baldwinâs life in context within the greater African diaspora.
Beginning with a chance encounter with a beggar wandering along a Santa Monica beachâa man whose ragged clothes and unsteady gait remind the author of a character out of one of James Baldwinâs novelsâ Mabanckou uses his own experiences as an African living in the US as a launching pad to take readers on a fascinating tour of James Baldwinâs life. As Mabanckou reads Baldwinâs work, looks at pictures of him through the years, and explores Baldwinâs checkered publishing history, he is always probing for answers about what it must have been like for the young Baldwin to live abroad as an African-American, to write obliquely about his own homosexuality, and to seek out mentors like Richard Wright and Ralph Ellison only to publicly reject them later.
As Mabanckou travels to Paris, reads about French history and engages with contemporary readers, his letters to Baldwin grow more intimate and personal. He speaks to Baldwin as a peerâa writer who paved the way for his own work, and Mabanckou seems to believe, someone who might understand his experiences as an African expatriate.
Written on the twentieth anniversary of James Baldwinâs death, Letter to Jimmy is African writer Alain Mabanckouâs ode to his literary hero and an effort to place Baldwinâs life in context within the greater African diaspora.
Beginning with a chance encounter with a beggar wandering along a Santa Monica beachâa man whose ragged clothes and unsteady gait remind the author of a character out of one of James Baldwinâs novelsâ Mabanckou uses his own experiences as an African living in the US as a launching pad to take readers on a fascinating tour of James Baldwinâs life. As Mabanckou reads Baldwinâs work, looks at pictures of him through the years, and explores Baldwinâs checkered publishing history, he is always probing for answers about what it must have been like for the young Baldwin to live abroad as an African-American, to write obliquely about his own homosexuality, and to seek out mentors like Richard Wright and Ralph Ellison only to publicly reject them later.
As Mabanckou travels to Paris, reads about French history and engages with contemporary readers, his letters to Baldwin grow more intimate and personal. He speaks to Baldwin as a peerâa writer who paved the way for his own work, and Mabanckou seems to believe, someone who might understand his experiences as an African expatriate.