In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theaterâs impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But itâs pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiencesâor for Belagioâs affectionsâprovoke such violent skulduggery? Or is Shakespeareâs tragic tale, with its spectacle of a black manâs passion for a white beauty, one that some Creole citizenâor American parvenuâwould do anything to keep off the stage? The soaring music will lead January into a tangle of love, hate, and greed more treacherous than any onstage drama, as he must discover who is responsible ⌠and who will Die Upon a Kiss.
Die upon a Kiss (The Benjamin January Mysteries) - Barbara Hambly
In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theaterâs impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But itâs pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiencesâor for Belagioâs affectionsâprovoke such violent skulduggery? Or is Shakespeareâs tragic tale, with its spectacle of a black manâs passion for a white beauty, one that some Creole citizenâor American parvenuâwould do anything to keep off the stage? The soaring music will lead January into a tangle of love, hate, and greed more treacherous than any onstage drama, as he must discover who is responsible ⌠and who will Die Upon a Kiss.