The biographerâso often in the shadows, kibitzing, casting doubt, proving factsâcomes to the stage in this funny, poignant, endearing tale of how writersâ lives get documented. James Atlas, the celebrated chronicler of Saul Bellow and Delmore Schwartz, takes us back to his own childhood in suburban Chicago, where he fell in love with literature and, early on, found in himself the impulse to study writersâ lives. We meet Richard Ellmann, the great biographer of James Joyce and Atlasâs professor during a transformative year at Oxford. We get to know Atlasâs first subject, the âself-doomedâ poet Delmore Schwartz. And we are introduced to a bygone cast of intellectuals such as Edmund Wilson and Dwight Macdonald (the âtall pines,â as Mary McCarthy once called them, cut down now, according to Atlas, by the âmerciless pruning of mortalityâ) and, of course, the elusive Bellow, âa metaphysician of the ordinary.â
Atlas revisits the lives and works of the classical biographers, the Renaissance writers of what were then called âlives,â Samuel Johnson and the obsessive Boswell, and the Victorian masters Mrs. Gaskell and Thomas Carlyle. And in what amounts to a pocket history of his own literary generation, Atlas celebrates the biographers who hoped to glimpse an image of themââas fleeting as a familiar face swallowed up in a crowd.â
(With black-and-white illustrations throughout)
The Shadow in the Garden: A Biographer's Tale (Unabridged) - James Atlas
The biographerâso often in the shadows, kibitzing, casting doubt, proving factsâcomes to the stage in this funny, poignant, endearing tale of how writersâ lives get documented. James Atlas, the celebrated chronicler of Saul Bellow and Delmore Schwartz, takes us back to his own childhood in suburban Chicago, where he fell in love with literature and, early on, found in himself the impulse to study writersâ lives. We meet Richard Ellmann, the great biographer of James Joyce and Atlasâs professor during a transformative year at Oxford. We get to know Atlasâs first subject, the âself-doomedâ poet Delmore Schwartz. And we are introduced to a bygone cast of intellectuals such as Edmund Wilson and Dwight Macdonald (the âtall pines,â as Mary McCarthy once called them, cut down now, according to Atlas, by the âmerciless pruning of mortalityâ) and, of course, the elusive Bellow, âa metaphysician of the ordinary.â
Atlas revisits the lives and works of the classical biographers, the Renaissance writers of what were then called âlives,â Samuel Johnson and the obsessive Boswell, and the Victorian masters Mrs. Gaskell and Thomas Carlyle. And in what amounts to a pocket history of his own literary generation, Atlas celebrates the biographers who hoped to glimpse an image of themââas fleeting as a familiar face swallowed up in a crowd.â